Hello and greetings to my ACS friends and colleagues, I hope that you are all well. A film that I just shot has been selected for the 75th Cannes Film Festival. Needless to say I'm stoked! Here are some details.
Restos Do Vento
Directed: Tiago Guedes
Producer: Paulo Branco
Production Company: Leopardo Filmes
When the director called me with the offer to shoot his next project I didn’t think twice. Tiago’s previous feature film “A HERDADE” premiered at the Venice Film Festival.
There’s two distinct parts to the the film. One happens in 1995 and the other part which makes about 80% of the film is set in the present.
We have decided to use different lenses and different screen ratios for these two parts. After extensive testing we arrived at Carl Zeiss Mk II lenses for the scenes set in 1995 to be shot in 16:9 ration and Master Primes for the rest of the film to be framed for wide screen 2.39:1
The 1995 scenes were shot completely hand held and the present part of the film was the opposite, the camera never left the tripod, slider or dolly.
The lighting package was very small and we relied heavily on practicals which were powered by the Aperature bulbs which we could control remotely. We also made a good use of the Astera fixtures.
Most of the day exteriors were filmed with no additional lighting rather using negative fill to get some contrast into the image. I have also employed a Segway for some tracking shots where possible.
As the film deals with a fairly dark subject matter we progressively made the image darker and darker as the characters slip into the darkness themselves. We used Arri Alexa Mini which was the best choice given the small interiors of the Portuguese houses.
We were fortunate to shoot the film in chronological order, as the characters arch was so demanding that shooting all scenes for given location wasn’t an option. We had a schedule of 48 days but came in two days early, which is a testament to our hard work.
We knew we were working on something special but we would never envision having the film premiere at the 75th Cannes Film Festival,
Best,
Mark